9/20/2023 0 Comments Autopano giga chomikujYour panorama straightens almost instantly. The blue vertical lines are aligned with the vertical edges of the buildings.Ĭonfirm by clicking the green button in the information column, on the left, or even by simply pressing Enter on your keyboard. Then, you just have to trace two or three lines along subjects in the panorama we want to be straight in the final rendering or we know they're straight in real life. The zoom-in can also be done with the shortcuts CMD +/- or CRTL +/. It's very easy to use but before anything else, it's better to zoom a little in the image in order to place the vertical lines more accurately. If the result's not good, you need to align the panorama manually by clicking the second icon below. Note! When the rendering is done from the main window, its functionality " align automatically" has been applied by default. €0.99 or 1 credit / video - Duration: 5'49 If you need it with another projection, you have to skip to another compatible geometry, make your leveling and go back to the chosen geometry. To make it horizontal again, there are two tools: " Automatic alignment" and " Vertical lines tool".Ĭaution! the vertical lines tool (hence manual) is only available with rectilinear and spherical projections. It often happens that the panorama isn't perfectly horizontal - while we want it to be. (Contribute to the development of this site by buying this DVD from the link above.) €0.99 or 1 credit / video - Duration: 4'10īuy and watch this video tutorial from (This tutorial has been made with Autopano version 2.5) Two important new features in this version 4.0! These new features are: the " mask mode with visualization of the limits of the mask" and the automatic correction of vignetting and/or gradient. In this second part dedicated to panorama edition in Autopano Giga, we'll review all alignment tools (vertical and horizontal), of the new layer mask mode, the colors editor and finally, the HDR fusion.
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Stir with the spatula until the sugar is completely melted and reaches a temperature of 160☏, 4 to 5 minutes. Place the bowl over the saucepan, being careful not to let the water touch the bottom of the bowl. In the bowl of a stand mixer, stir the eggs, granulated and brown sugars, salt, and water with a rubber spatula to combine. Add more water to the saucepan if needed, and bring to a boil again. Stir almost constantly until just melted, and then set aside to cool. Melt the chocolate in a heatproof bowl set over the pan of boiling water, being careful not to let the water touch the bottom of the bowl. Pour about 1 in of water into a medium saucepan and bring to a gentle boil. Remove the pie weights and let the crust cool to room temperature before using. Remove the pan from the oven and place it on a wire rack. The dough goes from light golden brown to dark golden brown very quickly.) Step 6 Place pie weights on top of the dough (this helps keep the pie crust flat), and bake until the dough is golden brown, 20 to 28 minutes. Transfer the dough to a 9 by 13-inch pan. Make sure your work surface is lightly floured and roll the dough into a 9 by 13-inch rectangle. Flatten the dough one last time into a 6 in disk. Repeat this process three or four more times, until all the loose pieces are worked into the dough, being careful not to overwork the dough. Gently fold the dough over onto itself and flatten again. Gather any loose/dry pieces that won’t stick to the dough and place them on top of the square. Step 4ĭump the dough out onto a lightly floured work surface and flatten it slightly into a square. With the mixer running on low speed, slowly add about ¼ cup (60 g) of the ice water and mix until the dough starts to come together but is still quite shaggy (if the dough is not coming together, add more water, 1 tablespoon at a time, until it does). Stop the mixer and use your hands to check for any dry patches of dough on the bottom of the bowl incorporate the dry flour as best you can. Add the rest of the butter and continue mixing until the butter is broken down in various sizes (some butter will be incorporated into the dough, some will be a bit large, but most should be about the size of small peas). Add half of the chilled butter and mix on low speed until the butter is just starting to break down, about 1 minute. In the bowl of a stand mixer fitted with a paddle, mix the flour, sugar, and salt on low speed until combined. Let both the butter and the ice water sit and get very cold for 5 to 10 minutes. Fill a medium liquid measuring cup with water and add plenty of ice. Put the sliced butter in a small bowl and place it in the freezer. 9/20/2023 0 Comments Bubble crackle glazeIt is widely recognized that whilst beautiful, raku ware is decorative rather than functional. What is Raku Pottery Used For? – Is Raku Food Safe or Waterproof? Another is to put the pottery into a barrel or pile of combustible material such as sawdust, straw, or paper. One approach is to plunge the hot ceramics into water. It gained popularity particularly in the 1950s in America and since then various adaptations have been made to the process.įor example, modern potters have a number of ways of cooling down the red-hot pottery once removed from the kiln. However, over the years the raku pottery technique has changed. In the Japanese raku firing, the pottery was removed when hot and traditionally allowed to cool in the open air. There is more collateral damage in a raku firing than a regular pottery firing. It is because of this that pottery is more vulnerable to break or explode during the raku process. It is thermal shock, amongst other things, that contributes to pottery cracking if it cools too quickly.īy contrast, in Raku, the pottery is removed at its highest temperature and deliberately cooled down quickly. This refers to the stress that pottery undergoes during rapid temperature changes. Sudden changes in temperature in the kiln can cause ‘thermal shock’ in the pottery. This is a way of protecting the pottery from sudden temperature shifts. Normally during pottery firing, the temperature changes in the kiln are managed carefully and happen gradually. After being removed from the kiln it is cooled down quickly too. And, the pottery is removed from the kiln when it is red hot. The kiln is heated up more quickly than a non-raku firing. What is Raku Pottery? – Features of the Raku Process: However, in spite of the different raku effects that can be achieved, there are some aspects of the raku process that remain consistent. I will explore the different looks of raku pottery and how these are achieved a little later. These are just a few variations in the raku look. Other raku pottery has striking vibrant colors and hues. Some modern raku is black and white with a strong crackle effect. Raku pottery ware has developed from the humble tea bowl to any kind of pottery you can imagine. Over the years, the Raku pottery process has evolved. These are small semi-porous drinking vessels used in a Japanese tea ceremony. In its original Japanese form raku pottery was typically hand-built and used to make tea bowls. The Raku pottery tradition originated in Japan in the 16th century. What is Raku Pottery and Where Does it Originate? This post is for informational purposes only, and should not be taken as safety advice about raku firing.Īnyone undertaking raku firing should consult with a health and safety expert with appropriate qualifications for independent professional advice. Please remember that the raku process is risky with safety issues that need careful attention. Raku firing is usually done in a fuel-burning, rather than an electric kiln.ĭisclaimer: I hope you love this article and find it helpful. It is cooled rapidly, often in combustible material like sawdust or paper. In raku, pottery is removed from the kiln when red hot. Raku is a low fire process, reaching around 1830F (1000C) at its highest temperature. So, what is raku pottery, and how is it made? With its dramatic mix of earth, fire, air and water raku firing is one of the grittier approaches to pottery. One of the things I love about pottery and ceramics is that they are very elemental. I may receive a commission from Amazon or other third parties if you make a purchase after clicking on of these links. 9/20/2023 0 Comments Openshot video editor censor audioNo, VSDC, one of the best online editing tools, does not put a watermark on your rendered videos. 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Each company listed is independent from Seagate and is not under the control of Seagate therefore, Seagate accepts no responsibility for and disclaims any liability from the actions or products of the listed companies. Seagate makes no warranty - implied or otherwise - regarding the performance or reliability of these companies or products. Seagate references third parties and third party products as an informational service only, it is not an endorsement or recommendation - implied or otherwise - of any of the listed companies. REFERENCE TO THIRD PARTIES AND THIRD PARTY WEB SITES. Attempt the steps above for the problem of the corrupted partition.Run checkdisk on the drive in order to attempt to repair the corruption.How to remove file or folder encryption in Windows XPīest practices for the Encrypting File SystemĪ final issue could be corruption of the file structure. 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To support the extended range of unicode beyond 0xFFFF (e.g.Set io.Fonts.Flags |= ImFontAtlasFlags_NoPowerOfTwoHeight to disable rounding the texture height to the next power of two.Set io.Fonts.TexDesiredWidth to specify a texture width to minimize texture height (see comment in ImFontAtlas::Build() function).Note that while OversampleH = 2 looks visibly very close to 3 in most situations, with OversampleH = 1 the quality drop will be noticeable. font_config.OversampleH = 2, this will largely reduce your texture size. You can use the ImFontGlyphRangesBuilder for this purpose and rebuilding your atlas between frames when new characters are needed. Reduce glyphs ranges by calculating them from source localization data.If you are building a PC application, mind the fact that your users may use hardware with lower limitations than yours. Mind the fact that some graphics drivers have texture size limitation.The typical result of failing to upload a texture is if every glyph appears as a white rectangle. If you have very large number of glyphs or multiple fonts, the texture may become too big for your graphics API.(settings: Dark style (left), Light style (right) / Font: NotoSansCJKjp-Medium, 20px / Rounding: 5) ImGui::InputText( "string ", buf, IM_ARRAYSIZE(buf)) At it happens, Windows uses backslashes as a path separator, so be mindful. (1) In C/C++ and most programming languages if you want to use a backslash \ within a string literal, you need to write it double backslash \\. Please note that many new C/C++ users have issues loading their files because the filename they provide is wrong due to incorrect assumption of what is the current directory. If you use custom glyphs ranges, make sure the array is persistent and available during the calls to GetTexDataAsAlpha8()/GetTexDataAsRGBA32()/Build(). This is generally called by the Renderer backend, e.g. Calling either of io.Fonts->GetTexDataAsAlpha8(), io.Fonts->GetTexDataAsRGBA32() or io.Fonts->Build() will build the atlas. The third point is a current constraint of Dear ImGui (which we will lift in the future): when loading a font you need to specify which characters glyphs to load.Īll loaded fonts glyphs are rendered into a single texture atlas ahead of time. Use Metrics/Debugger->Fonts to confirm loaded fonts and loaded glyph ranges. You need to load a font with explicit glyph ranges if you want to use non-ASCII characters.Use the encoding viewer to confirm yours is correct. Invalid UTF-8 encoding of your non-ASCII strings.AddFontXXX functions should assert if the filename is incorrect. Invalid filename due to use of \ or unexpected working directory.Credits/Licenses For Fonts Included In RepositoryĪ vast majority of font and text related issues encountered comes from 3 things:.Using Font Data Embedded In Source Code.Using FreeType Rasterizer (imgui_freetype).How should I handle DPI in my application?.In the misc/fonts/ folder you can find a few suggested fonts, provided as a convenience.Īlso read the FAQ: (there is a Fonts section!) Index Progg圜lean does not scale smoothly, therefore it is recommended that you load your own file when using Dear ImGui in an application aiming to look nice and wanting to support multiple resolutions. We embed it in the source code so you can use Dear ImGui without any file system access. The code in imgui.cpp embeds a copy of 'Progg圜lean.ttf' (by Tristan Grimmer),Ī 13 pixels high, pixel-perfect font used by default. (You may browse this at or view this file with any Markdown viewer) Dear ImGui: Using Fonts 9/20/2023 0 Comments Pet28a vector snapgeneThe higher the percentage of agarose, the smaller the effective range of separation will be. Depending on the size of the DNA fragments you wish to analyze, more of less agarose can be incorporated into a DNA gel. Here we will use a 500 bp ladder that includes bands of DNA that are 500 bp, 1000 bp, 1500 bp, 2000 bp, and so on. The size (in bp) of each separated DNA fragment is determined by comparison to a DNA ladder that has a band at given intervals of bp. The smaller molecule travel faster than the larger molecules. Due to the negatively charged phosphate backbone of DNA, DNA molecules migrate from the negatively-charged to the positively-charged end of the gel. When the digestions are complete, remove the tubes from the incubator and add 4 μL of 6X nucleic acid loading buffer to each of the reactions.ĭNA electrophoresis enables size-based DNA separation. Meanwhile, prepare an agarose gel (described below) to analyze the digested DNA by electrophoresis. Incubate the digestions for 1 hour in the 37 ✬ incubator. Mix the reactions gently by pipetting, close the tubes, and centrifuge for several seconds in a bench-top microcentrifuge. Mix by pipetting, then add: Nde1, 10 units/ μL Mix by pipetting, then add: Xho1, 10 units/ μL In each of four sterile 0.65 mL tubes, add the following components in the order listed, where x = the volume of miniprep elution added (in μL) to give 1 μg of DNA: Set up analytical-scale digests of your plasmid DNA using 1 μg of DNA and final reaction volumes of 20 μL each. A sample gel is provided below.ġ.) DNA digestion with Xho1 and Nde1 restriction enzymes Since coiled plasmid DNA travels further by electrophoresis than equivalent linearized DNA, these reactions should result in bands with an apparent size slightly larger than the uncut plasmid. The oneenzyme reactions should linearize the plasmid DNA without excising any segment. By gel analysis of the four reactions, you will expect to see a band for the no-enzyme “mock” reaction at approximately 6,138 bp (consistent with the size of the insert plus vector. As experimental controls, you will simultaneously prepare a no-enzyme “mock” digest and digests containing only one of the two restriction enzymes required to excise the ABL insert. As denoted in the vector map, the pET28a vector (minus the segment between the Nde1 and Xho1 sites) is 5,289 bp, and the ABL insert should be 849 bp. Today you will excise the insert by digestion of the isolated plamid DNA with Xho1 and Nde and check the size of the digestion products on an agarose gel to confirm that your vector and insert are the expected size in base pairs (bp). Since the gene encoding the Abl kinase domain is positioned in the pET-28a vector between Xho1 and an Nde1 recognition sites, treatment of the plasmid with those two restriction enzymes should result in excision of the ABL insert. In Session 2, you isolated a DNA plasmid (the pET-28a vector) containing an insert encoding residues 229-511 of the Abl kinase domain. In DNA engineering, restriction enzymes are used to cut open plasmids for the ligation of a complementarily-cut DNA insert into the plasmid for protein expression. Restriction enzymes (RE’s) are enzymes that selectively cleave double stranded DNA based on recognition of specific, short DNA sequences called recognition sites. 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State Department, the National Science Foundation, and – through the Broadcasting Board of Governors, which itself partially funded Tor until October 2012 – Radio Free Asia) and seek to subvert it. Tor has, for example, been used by criminal enterprises, hacktivism groups, and law enforcement agencies at cross purposes, sometimes simultaneously likewise, agencies within the U.S. Tor enables its users to surf the Internet, chat and send instant messages anonymously, and is used by a wide variety of people for both licit and illicit purposes. Bureau of Democracy, Human Rights, and Labor and International Broadcasting Bureau, Internews, Human Rights Watch, the University of Cambridge, Google, and Netherlands-based Stichting NLnet. The EFF acted as The Tor Project's fiscal sponsor in its early years, and early financial supporters included the U.S. In 2006, Dingledine, Mathewson, and five others founded The Tor Project, a Massachusetts-based 501(c)(3) research-education nonprofit organization responsible for maintaining Tor. In 2004, the Naval Research Laboratory released the code for Tor under a free license, and the Electronic Frontier Foundation (EFF) began funding Dingledine and Mathewson to continue its development. The first public release occurred a year later. The alpha version of Tor, developed by Syverson and computer scientists Roger Dingledine and Nick Mathewson and then called The Onion Routing project (which was later given the acronym "Tor"), was launched on 20 September 2002. Onion routing is implemented by means of encryption in the application layer of the communication protocol stack, nested like the layers of an onion. Reed and David Goldschlag, to protect American intelligence communications online. The core principle of Tor, onion routing, was developed in the mid-1990s by United States Naval Research Laboratory employees, mathematician Paul Syverson, and computer scientists Michael G. It protects the user's freedom and ability to communicate confidentially through IP address anonymity using Tor exit nodes. Tor protects personal privacy by concealing a user's location and usage from anyone performing network surveillance or traffic analysis. Using Tor makes it more difficult to trace a user's Internet activity. It directs Internet traffic via a free, worldwide, volunteer overlay network that consists of more than seven thousand relays. Tor, short for " The Onion Router," is free and open-source software for enabling anonymous communication. 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